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1993 science fiction activeness film directed by Marco Brambilla

Demolition Man
Demolition man.jpg

Theatrical release poster
Directed past Marco Brambilla
Screenplay by
  • Daniel Waters
  • Robert Reneau
  • Peter Yard. Lenkov
Story by
  • Peter M. Lenkov
  • Robert Reneau
Produced by
  • Joel Silverish[1]
  • Michael Levy
  • Howard Kazanjian
Starring
  • Sylvester Stallone
  • Wesley Snipes
  • Sandra Bullock
  • Nigel Hawthorne
Cinematography Alex Thomson
Edited by Stuart Baird
Music by Elliot Goldenthal

Production
visitor

Silver Pictures[ii]

Distributed by Warner Bros.

Release date
  • October viii, 1993 (1993-10-08)

Running time

 115 minutes[3]
State United States
Upkeep $45–77 million[iv]
Box office $159.1 million[five]

Demolition Man is a 1993 American science fiction activeness motion picture directed by Marco Brambilla in his directorial debut. It stars Sylvester Stallone, Wesley Snipes, Sandra Bullock, and Nigel Hawthorne. Stallone is John Spartan, a risk-taking police officer who has a reputation for causing devastation while conveying out his piece of work. After a failed attempt to rescue hostages from evil offense lord Simon Phoenix (Snipes), they are both sentenced to be cryogenically frozen in 1996. Phoenix is thawed for a parole hearing in 2032, but escapes. Club has changed and all crime has seemingly been eliminated. Unable to deal with a criminal as dangerous as Phoenix, the regime awaken Spartan to help capture him again. The story makes allusions to many other works including Aldous Huxley's 1932 dystopian novel Brave New Globe,[6] and H. G. Wells'due south The Sleeper Awakes.[7]

The flick was released in the U.s.a. on October 8, 1993. It earned $159 one thousand thousand worldwide, and was considered a successful pic for Stallone.

Plot [edit]

In 1996, psychopathic career criminal Simon Phoenix kidnaps a busload of hostages and takes refuge in an abandoned building. LAPD Sergeant John Spartan, nicknamed "The Demolition Man" for the big amounts of collateral damage he often causes in apprehending suspects, mounts an unauthorized assail to capture Phoenix. When a thermal browse of the surface area reveals no trace of the hostages, he raids the building and confronts Phoenix, who sets off explosives to destroy it. The hostages' corpses are later found in the rubble, and Phoenix claims that Spartan knew about them and attacked anyway. Both men are sentenced to lengthy terms in the city's new "California Cryo-Penitentiary", a prison house in which convicts are cryogenically frozen and exposed to subliminal rehabilitation techniques.

In 2032, the city of San Angeles – a megalopolis formed from the merger of Los Angeles, San Diego, and Santa Barbara – is a seemingly peaceful utopia designed and run past Dr. Raymond Cocteau. Phoenix is thawed for a parole hearing and escapes from the cryo-prison by saying a surreptitious password, without knowing how he had learned it. He subsequently murders his guards and the warden, making his way into the city where he easily overpowers and kills several police officers who have never had to deal with vehement offense. Lieutenant Lenina Huxley, an idealistic officer who is fascinated with 20th-century civilisation, learns about Spartan's career from veteran officer Zachary Lamb, who suggests the best chance to stop Phoenix is to enlist an officer with the experience and mindset needed to anticipate his actions. Huxley persuades her superiors to parole Spartan and reinstate him to active duty. Spartan finds life in San Angeles to exist sterile and oppressive, since all types of behavior deemed immoral or unhealthy, such as sports, alcohol, swearing, eating meat and having sex take been declared illegal. Conversely, many members of the police department and the public view Spartan equally vicious and uncivilized, while Huxley idolizes him.

Anticipating that Phoenix will attempt to secure firearms, Spartan leads Huxley to a museum and finds Phoenix looting an exhibit of weapons. To Spartan'due south surprise, Phoenix is even deadlier than before, exhibiting skillful-level proficiency in an extensive range of skills including martial arts and computer hacking. Phoenix escapes and holds Cocteau at gunpoint, but is unable to kill him, as Cocteau had implanted a control in his rehabilitation programme to prevent him from doing so. Cocteau instead orders Phoenix to kill Edgar Friendly, the leader of a resistance group called the Scraps who decline to conform to Cocteau's moral ideals and who live in the underground ruins of old Los Angeles.

Spartan and Huxley witness this exchange on security cameras and review the cryo-prison records. They find that Phoenix'southward rehabilitation plan was tailored by Cocteau to brand him even more unsafe than he was in 1996, including martial arts, computer hacking, knowledge of torture techniques, and murderous impulses; by dissimilarity, Spartan'south program taught him to knit and stitch. As the pair deduce that Friendly is being targeted for murder, Phoenix persuades Cocteau to release additional cryo-prisoners for his gang and leads them underground to pursue Friendly. Having previously encountered the Scraps during a food raid at a eating place, Spartan and Huxley venture underground and save Friendly from an assassination try by Phoenix. Phoenix taunts Spartan with the revelation that he had framed Spartan for the deaths of the 1996 hostages, who were already dead before the building exploded. Phoenix escapes to the cryo-prison, and Spartan pursues him with weapons provided by the Scraps.

Unable to harm Cocteau, Phoenix has a gang member kill him instead and begins thawing out the cryo-prison's virtually dangerous convicts. Spartan incapacitates Huxley for her safety and fights Phoenix, breaking a vial of a cryogenic chemical that rapidly freezes Phoenix's body solid. Spartan kicks his head off, shattering it, and escapes as the uncontrolled quick-freezing effect triggers an explosion that destroys the cryo-prison. The police fright that the loss of Cocteau and the cryo-prison will end society as they know information technology, but Spartan suggests that they and the Scraps cooperate to combine the all-time aspects of order and personal freedom. He kisses Huxley and they leave together.

Cast [edit]

Sylvester Stallone

Wesley Snipes

  • Sylvester Stallone as Sergeant John Spartan
  • Wesley Snipes as Simon Phoenix
  • Sandra Bullock equally Lieutenant Lenina Huxley. The grapheme was named after Aldous Huxley, the writer of Dauntless New World, and Lenina Crowne, a primal character in the novel.[6]
  • Nigel Hawthorne as Dr. Raymond Cocteau[8] [9] [x]
  • Benjamin Bratt equally Officer Alfredo Garcia
  • Denis Leary as Edgar Friendly
  • Bill Cobbs as Officer Zachary Lamb (Thousand Fifty. Bush plays a younger version in the scenes from 1996)
  • Bob Gunton as Chief George Earle
  • Glenn Shadix equally Acquaintance Bob
  • Trent Walker as Bungle Guard
  • Troy Evans as Officer James MacMillan
  • David Patrick Kelly as Leon
  • Steve Kahan as Captain Healy
  • Andre Gregory equally Warden William Smithers
  • Toshishiro Obata equally Kodo, CryoCon Ally
  • Ben Jurand as Francis, CryoCon Ally
  • Billy D. Lucas as Danzig, CryoCon Ally
  • Rhino Michaels as Elvin, Cryocon Ally
  • Jesse Ventura as Adam, Cryocon Ally
  • Brandy Ledford as Wrong Number Video Girl
  • Rob Schneider every bit Officer Erwin (uncredited)[11]
  • Dan Cortese every bit Taco Bong Lounge vocalist[12] and a Cryo Prison house guard[13]
  • Jack Black as Wasteland Scrap #2[12]
  • Carlton Wilborn as Wasteland Scrap Carl

Production [edit]

Development [edit]

The original script was written by Peter Lenkov, who retained a story past credit.[one] Lenkov came to Hollywood straight out of higher with no connections, and wrote seven dissimilar scripts, desperately hoping to break into Hollywood.[fourteen] Selling the spec script of Demolition Man to Warner Bros. was his first big break.[15] Lenkov had been inspired by Lethal Weapon and wanted to do something about cops, and had besides read about celebrities wanting to exist cryogenically frozen. His initial pitch was rejected by an executive who did not sympathise his "frozen cop" idea. The finished script, where a super cop has to boxing the earth'southward deadliest criminal, in a future where there is about no crime, generated more interest.[16]

Writer Daniel Waters (known for Heathers) said his version of the screenplay was essentially a rewrite, he changed the script so extensively that when the script went to arbitration he received first screenplay writing credit. In the early on drafts the script was a regular action movie, with no attempt at comedy. Waters pitched it as an action movie version of Woody Allen'south Sleeper. Waters had an thought about a modest part of Universal City, a shopping and entertainment expanse called CityWalk, and wondered what information technology might be like if one day all of Los Angeles might be like that, and the idea grew from there.[17] Waters says his intention was to have fun, that he was not trying to be political or deeply examine political correctness. He cited the conclusion of the film, where order will need to find a new balance and compromise, every bit representing his own position in the political middle basis.[17] Burger King was originally written as the winner of the eatery wars, but they and likewise McDonald's were non interested in being function of the film, simply Taco Bell were happy to be involved.[17] [18] The "three seashells" concept originated when Waters was trying to come up with ideas for a futuristic restroom and called writer Larry Karaszewski for suggestions, and he happened to exist using the restroom when he answered the call. He looked around his bathroom and said he had a bag of seashells on the toilet as decorations, then Waters make up one's mind to use that.[19] Waters wrote some of the script on alphabetize cards while waiting in line for Johnny Carson tickets. He said it was some of the fastest work he'd ever written,[19] and that he had only worked on information technology for two and a half weeks.[17]

The picture began with John Spartan existence taken out of cryogenic freeze in the future of 2032, until Fred Dekker did uncredited rewrites on the script, adding the Los Angeles 1996 prologue, to showcase Spartan and Phoenix in their natural environment, and make the differences of the future more striking. Dekker explained "If you don't show Kansas, Oz isn't all that special."[13] Jonathan Lemkin also did uncredited rewrites on the moving-picture show.[18] [20] Steven de Souza read the script but was unavailable to commit to rewrites. De Souza recommended setting the film in the more distant future to brand the civilisation clash more than plausible. Producers rejected his suggestion because they wanted to continue the subplot of Spartan finding his daughter, but ultimately that subplot was cutting from the film.[21] The script had been in development for six years before filming finally began.[1]

Director Marco Brambilla had a groundwork in shooting big-budget TV commercials, and this was his starting time feature motion-picture show. Brambilla was working to make Richie Rich, starring Macaulay Culkin, but they could not become the budget they needed. Instead David Fincher recommended Brambilla to Joel Silver every bit manager for Demolition Homo.[22] Steven Seagal had originally been attached equally leading actor, and Jean-Claude Van Damme had been offered the office of the villain.[23] Brambilla met Stallone a few days after getting attached to the project and started re-writing the script with Daniel Waters. The picture show went into product approximately eight months afterwards that.[22] Producer Joel Silverish was able to get highly experienced coiffure for the film, including editor Stuart Baird and cinematographer Alex Thomson. Brambilla brought costumer Bob Ringwood to the project because of his piece of work on Dune (1984), and wanted Alex Thomson because of his work on Alien 3 (1992).[22]

Casting [edit]

Stallone passed on the project at starting time, but came back effectually to information technology. He liked the thought of ii equal opponents in Spartan and Phoenix, and decided to take a run a risk on doing something he had not done before.[24] Stallone wanted Jackie Chan for the office of Simon Phoenix. Chan turned it downwards, not wanting to play a villain.[12] [25] Wesley Snipes turned down the office several times, so Joel Silver and Marco Brambilla went to the set of the film Rise Sun to try and convince him in person. Brambilla explained how he thought the film could be and his passion for the script they were writing, and the next day they received a call and Snipes agreed to do the film. Brambilla said of Snipes, "He works without rehearsing as well much, and he improvises a lot. The two of them, that combination of energies and the fashion they interact, actually did the pic a lot of favors. They completely respected each other and were really professional, and they did get along. There was no ego or whatever competition betwixt the actors."[22] Lori Petty was originally cast as Huxley, but was fired afterward two days of filming due to what producer Joel Silver called "creative differences".[26] Piddling attributed information technology to personality differences, as she and Stallone did not go forth, and said "Sly and I were similar oil and h2o."[27] Silver was looking for a replacement and Lorenzo di Bonaventura recommended Bullock; impressed past her audition tape, Silver hired her.[28] Denis Leary said he was hired for his one-act rants, which he wrote himself and had to undergo a long blessing process by the studio earlier it was included in the script.[29]

Filming [edit]

General Motors provided the production team with eighteen concept vehicles, including the Ultralite. More than 20 fiberglass replicas of the Ultralite were produced to portray civilian and SAPD patrol vehicles in the motion-picture show. Afterwards filming had completed, the remaining Ultralites were returned to Michigan as part of GM'southward concept vehicle armada.[thirty] [31]

The picture featured the actual demolition of one of the buildings of the no longer operative Belknap Hardware and Manufacturing Company in Louisville, Kentucky.[32] The Urban center of L.A. immune the filmmakers to use and demolish an old Section of H2o & Power edifice in downtown Los Angeles. This enabled them to accept more control over the explosion, instead of having to cutting straight to the building being gone and rubble as they had been forced to do with other projects. "We actually created a crater in the middle of the building. And have the explosion and rubble more designed, so to speak. It'southward fun to do that, because those large pyrotechnics always look peachy", Silver noted.[33]

The film suffered repeated delays, and the original 72-mean solar day production schedule ran to 112 days.[1] Stallone was out for a week due to injury. Heavy rains in Los Angeles delayed filming. A soundstage was too damaged in a fire.[34] The production went through five assistant directors, and many coiffure had to exit to work on other projects. Insiders at Warner Bros. were critical of Silvery for hiring a director without previous characteristic film experience. Silvery rejected this view, maxim, "Marco'southward done a vivid job. We're over-schedule because this is a very hard picture to make, non because Marco is inexperienced."[ane]

Demolition Human being was the first production to film at the Los Angeles Convention Center after it was rebuilt in the 1990s, it was used as the Cocteau Center.[xiii] "San Angeles" was filmed in Orange County, California. Several locations in Irvine were also used.[13] [35] [36] The S.A.P.D. police force station in the background was the GTE Corporate Headquarters in Westlake Village, California (which later became the Baxter Healthcare building, and was used in the start episode of The Orville). The Pacific Design Center, in West Hollywood was used for the exterior shot of Lenina Huxley's apartment building. The cryo-prison house used the exterior of the Metropolitan Detention Centre in downtown Los Angeles.[37] [38] Filming likewise took place at Wilshire Courtyard, 5700 and 5750 Wilshire Boulevard.[39] A power station in Eagle Rock, Los Angeles, was used as the underground dwellings of Edgar Friendly and the Scraps.[40]

The helicopter bungee jump at the offset of the film was coordinated by Charles Picerni, and performed past stuntman Ken Bates. For prophylactic, and due to the danger of recoil back into the helicopter blades, a decelerator was used instead of a existent bungee, and Bates jumped 300 feet from a Chinook helicopter.[41] According to Picerni it was a outset: "We've done that off of buildings before, simply never out of a helicopter."[1]

The moving-picture show mentions Arnold Schwarzenegger having served as President of the United States, after a Constitutional subpoena was passed assuasive him to run for the function due to his popularity. Coincidentally, a day brusk of ten years later on the film'due south release, the 2003 California gubernatorial recall election was scheduled. The ballot saw Schwarzenegger really begin a political career as the 38th Governor of California from 2003 until 2011. Shortly after he was elected, an "Arnold Amendment" did become proposed.[42]

One of the picture's focal points is Taco Bong existence the sole surviving restaurant chain after "the franchise wars." The European version of the picture substitutes Taco Bong with Pizza Hut, because Taco Bell is not as well known outside the Us and Canada; both eating place bondage are owned by Yum! Brands. Lines were re-dubbed and logos inverse during post-production.[43] [eighteen] [44] According to The Wall Street Journal, this kind of localization of product placement was a first.[45] [2] [46]

A subplot involving Spartan's daughter was cut for pacing reasons. This led to some confusion at test screenings, where audiences thought Sandra Bullock was the girl, and reacted negatively to the scene where they were nearly to have sexual activity.[17] Originally Spartan'due south daughter was ane of the Scraps living cloak-and-dagger with Edgar Friendly's resistance.[thirteen] A scene where Stallone fights Jesse Ventura was cut from the film.[47]

The motion-picture show had a production budget of $45 1000000, only sources told the Los Angeles Times that the price increased to $77 meg later on the shooting schedule was extended from 72 to 112 days for the first unit of master photography, plus an additional 75 days for work washed past a second unit.[four] The combined cost of product and marketing was estimated at nearly $97 one thousand thousand.[four]

Plagiarism accusation [edit]

Hungarian science fiction author István Nemere says that most of Demolition Man is based on his novel Holtak harca (Fight of the Dead), published in 1986. In the novel, a terrorist and his enemy, a counter-terrorism soldier, are cryogenically frozen and awakened in the 22nd century to find violence has been purged from club. Nemere claimed that a copyright function committee judged that the film was a 75% match to the book. He did not file a lawsuit, as it would have been too expensive for him to hire a lawyer and fight against major Hollywood forces in the United States. He also claimed that Hollywood has plagiarized works of many Eastern European writers later the fall of the Iron Curtain, and that he knows the person he claims to exist responsible for illegally selling his idea to the filmmakers.[48]

Music [edit]

The title theme is a heavier remix of the vocal originally recorded by Grace Jones and written by Sting during his time as frontman for The Police. The vocal was first released in March 1981, as an advance single from Jones's fifth album, Nightclubbing. Sting released an EP featuring this song and other live tracks, entitled Demolition Man.

Elliot Goldenthal composed the score for the motion-picture show. It was his second large Hollywood project afterwards the Alien³ score.[49]

The ii commercial jingles, which are not function of the soundtrack, include the jingle from the 1967 commercial "Armour Hot Dogs" sung by Sandra Bullock and Benjamin Bratt in the police car,[half dozen] [50] [51] and the jingle from the 1960s commercial "Jolly Green Behemothic" sung by Dan Cortese in the Taco Bong restaurant.[6] [52] [53]

The theme vocal "Love Boat" of the series of the same name, which is also not part of the soundtrack, was played by Sandra Bullock as a romantic background music in her flat before the "virtual sex" between her and Sylvester Stallone.[half dozen]

Release [edit]

Home media [edit]

Warner Bros. released information technology on VHS in March 1994,[54] on DVD in October 1997 and 2014,[55] and on Blu-ray in August 2011.[56]

Reception [edit]

Box office [edit]

The pic debuted at No. 1 at the box function.[four] [57] [58] [59] Sabotage Man grossed $58,055,768 by the end of its box part run in North America and $159,055,768 worldwide.[5]

Film critic Roger Ebert was asked why this flick was considered a success, but Last Activeness Hero was considered a thwarting, despite similar budgets and box office grosses. Ebert ended information technology was due to expectations, and that the moving-picture show was seen every bit a improvement for Stallone whose career had been flagging, whereas Schwarzenegger failed to live up to his previous record breaking successes.[threescore] [61]

In 2017, Sylvester Stallone's loan-out company filed a lawsuit against Warner Bros. over the disbursement of profits from the flick.[62] [63] The lawsuit was settled in 2019.[64]

Disquisitional response [edit]

On Rotten Tomatoes, the film has an approval rating of 62% based on 42 reviews, with an average rating of five.60/ten. The site's consensus reads: "A better-than-average sci-fi shoot-em-up with a satirical undercurrent, Demolition Man is bolstered by stiff performances by Sylvester Stallone, Wesley Snipes, and Sandra Bullock."[65] On Metacritic the film has a weighted average score a 34 out of 100, based on nine reviews, indicating "mostly unfavorable reviews".[66] Audiences polled past CinemaScore gave the flick an average grade of "B" on an A+ to F calibration.[67]

Critics Gene Siskel and Roger Ebert from At The Movies reviewed the motion-picture show: Siskel found the film amusing simply did not care for the activity sequences and gave it "thumbs down", whereas Ebert enjoyed both the satirical edge this picture had over other films of this genre and thought the action sequences were good for this blazon of film, and gave information technology a "thumbs up".[68] Kenneth Turan of the Los Angeles Times wrote that the film fails to give action fans what they desire, instead substituting out-of-place satirical commentary.[69] Vincent Canby of The New York Times called it "a significant antiquity of our time or, at to the lowest degree, of this week".[70] Richard Schickel of Time wrote, "Some sharp social satire is almost undermined by excessive explosions and careless casting."[71] Peter Travers of Rolling Rock criticized the film calling information technology "sleek and empty likewise as brutal and pointless."[72] Emanuel Levy of Variety called information technology "A noisy, soulless, self-conscious pastiche that mixes elements of sci-fi, action-adventure and romance, so pours on a layer of comedy replete with Hollywood in-jokes." Levy says it "works better equally a comic-book adventure than did "Final Action Hero", but reserves his praise for the technical merits of the film, complimenting "the high-tech, metal look created by product designer David L. Snyder and his achieved team" too as the cinematography of Alex Thomson. He concludes "what's badly missing is a guiding intelligence to elevator this disjointed pic from its derivative status."[73]

Owen Gleiberman of Entertainment Weekly gave it a "B-". Despite his depression expectations of a Joel Silver production and "the everything-goes-smash school of high-tech action overkill", he establish it "an intermittently agreeable sci-fi satire" before it switches to full-tilt devastation style. Gleiberman says "if it's the hope of overwrought violence that lures people into theaters, I suspect it volition exist the quieter scenes—the ones with a pretense of wit—that proceed them satisfied."[74] Hal Hinson of The Washington Post wrote: "Basically, Demolition Man is a futuristic cop picture with slightly more imagination and wit than the typical instance of the slash-and-burn down genre."[75] Television set Guide praised the film and wrote: "The pleasant surprise about Demolition Homo is that both the script, and Stallone, are funny; the flick blends big-upkeep action and natural language-in-cheek humor in the way that 'Last Action Hero' tried, and failed, to do."[76] Phillipa Blossom of Empire mag gave information technology four out of five, and compared it to a one-night stand up "non necessarily something you'll remember next twenty-four hours but fast, furious and damn good fun while it lasts." Flower was critical of the thin plot merely chosen Stallone and Snipes "a dynamite screen combination".[77]

Accolades [edit]

The film was nominated for three Saturn Awards, Best Costumes (Bob Ringwood), Best Special Furnishings (Michael J. McAlister, Kimberly Nelson LoCascio) and Best Scientific discipline Fiction Moving-picture show.[78] The MTV Movie Awards nominated Wesley Snipes in the Best Villain category.[79]

Sandra Bullock was nominated for a Aureate Raspberry Award in the Worst Supporting Actress category.[fourscore]

Adaptations [edit]

Toys [edit]

The Oldsmobile 442 was used in the automobile chase and likewise included in the Hot Wheels toys from the film.[81] [82]

Demolition Man activeness figures and vehicles were released in 1993. Produced by Mattel the toys were based on their "New Adventures of He-Man" style of figures. In addition to seven activity figure, the set included a automobile, a ruby-red convertible called the "Fast Blast 442", an airplane "Bolajet" , and a "Missile Shooter" toy gun.[83] Lenina Huxley was not included in the toy line.[84] [85]

Hot Wheels released a set of 9 cars from Demolition Man.[86] [87]

Video games [edit]

Acclaim Entertainment and Virgin Interactive released Demolition Man on various home video game systems. The 16-bit versions were shooting games distributed by Acclaim. The 3DO version is a multi-genre game that incorporates Full Motion Video scenes, with both Sylvester Stallone and Wesley Snipes reprising their roles as their characters in scenes that were filmed exclusively for the game.[88]

Pinball [edit]

In Apr 1994, Williams released a widebody pinball machine, Sabotage Man based on the flick. It was designed past Dennis Nordman. The game features sound clips from the film, as well as original voice communication by Stallone and Snipes.

Comic books [edit]

A 4-function limited-series comic accommodation was published by DC Comics starting in November 1993.[89]

Novelization [edit]

A novelization, written past Robert Tine (using the pseudonym Richard Osborne), was published in November 1993.[90] [91]

Legacy [edit]

Inspired past the movie, Dennis Rodman had his hair dyed and styled the same fashion the character of Simon Phoenix played by Snipes, for his San Antonio Spurs debut, which was the get-go of Rodman dyeing his hair in different colors.[92] Snipes hated this hairdo and shaved it off as soon as filming had wrapped.[93] [22]

The development of erotic games for the Oculus Rift virtual reality headset has been compared to the "virtual sex" scene from the film.[94]

To celebrate the film'south 25th anniversary, Taco Bell recreated the 2032 San Angeles version of their restaurant at the 2018 San Diego Comic-Con.[95] [96]

The moving picture has been described as a cultural touchpoint, and the restrictive hereafter guild has been used equally an instance of government overreach,[17] and called a "Libertarian manifesto".[97] Demolition Human being has been referred to as "the just plausible dystopian vision for our time".[98]

The film plant renewed relevance during the COVID-19 pandemic; the film was seen as predictive when at that place were calls to end the practice of shaking hands, and shortages of toilet paper.[17] [99] [100] [101] [102]

In the video game Cyberpunk 2077, iii shells are found in the bathroom of the actor'due south flat.[103]

Sequel [edit]

In 1993, US Magazine reported a sequel was planned for 1995.[two] In 2006, Stallone was asked nigh a sequel and he said, "I'd similar to make a sequel to Demolition Man, but I believe that ship has sailed and maybe at that place are more challenges waiting on the horizon."[104] On May 4, 2020, Stallone said a sequel is in development.[105] [100]

References [edit]

  1. ^ a b c d e f Goldstein, Patrick (Baronial 1, 1993). "Hollywood'southward Big-Bang Theorist". Los Angeles Times . Retrieved July 31, 2020.
  2. ^ a b c Demolition Man at the American Film Institute Itemize
  3. ^ "Sabotage MAN (15)". British Lath of Film Classification. Retrieved March 15, 2020.
  4. ^ a b c d Galbraith, Jane (Oct 12, 1993). "Hoping for a Box Role Blowout on 'Demolition Man'". Los Angeles Times . Retrieved March 15, 2018.
  5. ^ a b "Sabotage Man – Box Office Data, Movie News, Cast Information". The Numbers . Retrieved June i, 2020.
  6. ^ a b c d east James, Caryn (October 24, 1993). "Movie VIEW; 'Demolition Man' Makes Recycling an Art". The New York Times. Archived from the original on Nov x, 2012. Retrieved May 5, 2020.
  7. ^ Lambie, Ryan (November 20, 2016). "Demolition Man: Information technology's twenty Years Since Stallone Was Frozen". Den of Geek.
  8. ^ Gritten, David (January 8, 1995). "Late-Blooming Nigel Hawthorne Enjoys 'Madness' of King-Size Function in Hytner'due south Film". Los Angeles Times. Nor did he enjoy his role in "Demolition Homo" (1993), with Sylvester Stallone, which he has never seen.
  9. ^ PageSix com Staff (January 5, 1999). "A 'MADNESS' AT STALLONE". Page Six. New York Post.
  10. ^ Taylor, Markland (Jan 22, 2003). "Directly Face, The Autobiography". Diversity. referring to the experience as "miserable" as the ii thoughtless stars kept everyone waiting.
  11. ^ Marin, Rick (November 21, 1993). "Upwards AND COMING: Rob Schneider; Call Him Decorated. He's the Smarminator". The New York Times . Retrieved August 23, 2014.
  12. ^ a b c Dickerson, Jeff (April 4, 2002). "Black Delights in Sabotage Man". The Michigan Daily. Archived from the original on Dec 24, 2007. Retrieved July 22, 2020.
  13. ^ a b c d east Hayner, Chris E. (July 19, 2020). "Demolition Man Motion picture: All The Easter Eggs, References, And Things You Didn't Know". GameSpot.
  14. ^ Andreeva, Nellie (November 6, 2009). "'CSI: NY' producer inks new CBS deal". The Hollywood Reporter.
  15. ^ Rose, Lacey (March ten, 2012). "Showrunners 2012: 'Hawaii 5-0's' Peter Lenkov". The Hollywood Reporter.
  16. ^ Webb, Charles (May two, 2013). "Interview: Rather 'R.I.P.D.' With Writer Peter Chiliad. Lenkov". MTV News.
  17. ^ a b c d e f g Willmore, Alison (April sixteen, 2020). "The Author of Demolition Man on the Predictive Power of His 1993 Film". Vulture. Vocalism Media. Archived from the original on Apr 16, 2020.
  18. ^ a b c Hajari, Nisid (October 29, 1993). "'Demolition Man': Starring Taco Bell". Entertainment Weekly. Other chains wouldn't practise a tie-in with an R-rated moving picture
  19. ^ a b Schultz, Ian (August 9, 2018). ""Who does that guy in the coat think he is, anyways, Bo Diddley?" – An Interview with Daniel Waters | Live for Films". Liveforfilm.com.
  20. ^ Petrikin, Chris (August 22, 1997). "Lemkin pens 2nd 'Twister'". Variety. doing uncredited polishes on such pics as Demolition Human being
  21. ^ Hughes, David (2003). Tales from development hell : Hollywood film-making the hard fashion. London: Titan. pp. 128, 129. ISBN9781840236910.
  22. ^ a b c d e Spry, Jeff (October 8, 2018). "Mellow greetings and musings from director Marco Brambilla on Demolition Homo's 25th altogether". SYFY WIRE. Archived from the original on Oct eight, 2018.
  23. ^ Horowitz, Josh (March 3, 2008). "The Jean-Claude Van Damme/Steven Seagal Movie That Never Will Exist...'Demolition Man'". MTV. Archived from the original on March 5, 2008. Retrieved May 4, 2020.
  24. ^ "Sabotage Man". Starlog Mag Consequence 195. The Starlog Group. October 1993. p. 33 – via Internet Archive. I liked the idea that, in Spartan and Phoenix, you had ii opposing forces that were equal. That'south rare.
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External links [edit]

Source: https://en.wikipedia.org/wiki/Demolition_Man_(film)

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